Cano, Alonso

Spanish, 1601-67 Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,


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Cano, Alonso St James the Major (mk05) oil


St James the Major (mk05)
Painting ID::  20342
St James the Major (mk05)
Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
Canvas,21_1/4_x_14_1/4''(54_x_36_cm).Acquired_in_1977
   
   
     

Cano, Alonso St Isidore and the Miracle of the Well (mk08) oil


St Isidore and the Miracle of the Well (mk08)
Painting ID::  21633
St Isidore and the Miracle of the Well (mk08)
c.1646-1648 Oil on canvas, 216x149cm Madrid,Museo del Prado
   
   
     

Cano, Alonso The Dead Christ Supported by an Angel oil


The Dead Christ Supported by an Angel
Painting ID::  28051
The Dead Christ Supported by an Angel
mk61 Oil on canvas 178x121cm
mk61 Oil_on_canvas 178x121cm
   
   
     

Cano, Alonso The Miracle of  the Well oil


The Miracle of the Well
Painting ID::  28307
The Miracle of the Well
mk60 Oil on canvas 216x149cm
mk60 Oil_on_canvas 216x149cm
   
   
     

Cano, Alonso St.Fohn the Evangelist's Vision of the Heavenly Ferusale oil


St.Fohn the Evangelist's Vision of the Heavenly Ferusale
Painting ID::  32905
St.Fohn the Evangelist's Vision of the Heavenly Ferusale
mk84 London,canvas 83x45cm
mk84 London,canvas 83x45cm
   
   
     

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     Cano, Alonso
     Spanish, 1601-67 Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,

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